Since March 2014 I am teaching as Professor for Media and Game Studies at the Cologne Game Lab, which I co-founded in 2010 together with Prof. Björn Bartholdy. At the same time I am teaching as Associate Professor for Comparative Media Studies at the ifs internationale filmschule köln, where from 2004-2014 I was first Professor for Aesthetic and Communication, then Professor for Comparative Media Studies with a focus on audiovisual art and communication. Prior to my teaching career I worked as editor for the German monthly TransAtlantik, as head of department and reporter for stern magazine, as chief reporter for Tempo magazine, as well as more than a decade in the US as a reporter focusing on social, cultural and aesthetic consequences of the digitalization for (audio-) visual art and communication.
I studied Comparative, German and American literature at the Free University Berlin. My Master thesis concerned itself with the modern drama, my dissertation with the digitalization of art and entertainment.
I have written 11 non-fiction books—including Reise in die Verlorengegangenheit. Auf den Spuren deutscher Emigranten (1990) and Cyberland. Eine Führung durch den Hightech-Underground (1996)—, three novels—including Der Ausweg and Bogarts Bruder (1996)—, several screen- and radioplays, as well as around 400 papers, essays, short stories and articles.
2015 my monograph Games, Game Design, Game Studies. An Introduction. With Contributions by André Czauderna, Nathalie Pozzi and Eric Zimmerman was published in print by transcript, distributed in the US by Columbia University Press. There are also Amazon Kindle and epub versions available.
Since 2015 I am – together with Prof. Björn Bartholdy – Chairman of the program board of “Clash of Realities – International Conference on the Art, Technology and Theory of Digital Games.”
Also since 2015 I am a member of the German Computerspielpreis’s expert jury.
Since 2012 I am co-editing, together with Prof. Lisa Gotto, the publication series “Bild und Bit. Studien zur digitalen Medienkultur” published by transcript in Bielefeld.
Since 2011 I am a representative of the film and media board North Rhine-Westphalia for the development of new media subsidies and the pilot subsidy program for innovative audiovisual media contents.
From 2008 until 2010 I belonged to the jury of the Innovationspreis awarded by minister of state Neumann for German film. From 2009 until the end of 2010 I was a member of the film subsidy committee of the film board North Rhine-Westphalia.
2 Academic Career
Appointed Professor for Media and Game Studies at the Cologne Game Lab / Cologne University of Applied Sciences and founding director of the Cologne Game Lab; simultaneous acceptance of job offer as Associate Professor for Comparative Media Studies at the ifs internationale filmschule köln
Conception of the research and publication project “Der Televisionär. Wolfgang Menges transmediales Werk” (together with Prof. Dr. Lisa Gotto); funded through the Film and Media Board NRW
Offered position at the Cologne Game Lab of the Cologne University of Applied Sciences as Professor for Media and Game Studies (accepted)
Offered position at the Games Academy Hochschule der digitalen Gesellschaft Berlin as founding president and Professor for Media Studies (declined)
Conception of an integrated introductory Games education (Bachelor / Master) for the Cologne Game Lab at the Cologne University of Applied Sciences (together with Prof. Björn Bartholdy and André Czauderna)
Appointment to chairman of the Examination Committee of the ifs internationale filmschule köln (fourth term)
Advisor to the GAH – Games Academy Hochschule in Gründung, Berlin (until start of 2014)
Conception of the publication series “Bild und Bit. Studien zur digitalen Medienkultur” (in collaboration with Prof. Dr. Lisa Gotto, at the transcript-Verlag, Bielefeld). The first volumes appearing in fall of 2012 are: “Bildwerte. Visualität in der digitalen Medienkultur” (ed. GSF and Lisa Gotto) as well as in fall of 2013 “Serious Games, Exergames, Exerlearning” (ed. GSF, Lisa Gotto and Fabian Wallenfells)
Appointment to chairman of the Examination Committee of the ifs internationale filmschule köln (third term)
Head of the summer school “People on Sunday 2010,” a collaboration between the ifs internationale filmschule köln and the UCLA Film School
Accreditation of the Master program Game Development and Research at the Cologne Game Lab
Appointment to the position of part-time director of the Cologne Game Lab (together with Prof. Björn Bartholdy)
Among the winners of the first funding competition Medien.NRW are the Cologne Game Lab (Cologne University of Applied Sciences, in collaboration with Prof. Bartholdy) and the Serious Games project “ssl – sportlich spielend lernen” (ifs köln, in collaboration with Prof. Wessely) count .
Conception of the research and further education project in the field of Serious Games “ssl – sportlich spielend lernen” at the ifs (in collaboration with Prof. Dominik Wessely).
Entry into the executive committee of the project Cologne Game Lab (Content & Design for Games / Nonlinear Media), as person responsible for teaching Game Design (in collaboration with the initiator Prof. Björn Bartholdy, KISD, / responsible for A/V Design); the goal is a Master course of study in Game Development and Research as well as continuing education and research
Appointment to the position of chairman of the Examination Committee of the ifs internationale filmschule köln (second term)
Professor for Media Studies with a focus on audiovisual art and communication, ifs internationale filmschule köln / Fachhochschule Köln (change in contract after negotiations to remain in office)
Job offer at the University of Applied Sciences Würzburg-Schweinfurt, declined
Increase of the half to a full professorship at the ifs internationale filmschule köln
Appointment to the position of chairman of the Examination Committee of the ifs internationale filmschule köln
Job offer at the ifs internationale filmschule köln for Professor of Aesthetics and Communication with a focus on the aesthetic and communicative consequences of the Digitalization (temporary, part-time)
Completion of doctorate proceedings: summa cum laude
Writing of PhD dissertation Digitalisierung. Die transmediale Konversion von Kunst und Unterhaltung in der zweiten Hälfte des 20. Jahrhunderts (Digitalization. The Transmedial Conversion of Art and Communication in the Second Half of the 20th Century).
Separate publication of the communication-theoretical and communication-historical parts of the research project on digitalization (esp. Kommunikette 2.0, see German List of Publications)
Conception of a new academic-aesthetic research project concerning a transmedia theory and history of the digitalization of art and communication
Research into the consequences of the Digitalization for art and communication; publication in anthologies and trade and general interest magazines (as well as literary-journalistic activity, see below: media practice)
Publication of parts of my studies on adaptation and media transfer (“The Postman Never Stops Ringing”, see German List of Publications)
The insight into the aesthetic turn, which the Digitalization meant for all arts, leads to reorienting my research toward the connection between artistic and media-technical progress
Academic assistant at the Institute of Comparative Literature at the FU Berlin. Independent holding of introductory courses and introductory seminars as well as advanced seminars together with Prof. Eberhard Lämmert, PhD. Work on dissertation on adaptation and media transfer
Enrollment in the “Studienstiftung des Deutschen Volkes.” Conception of a dissertation on the history and theory of adaptation and media transfer.
Master of Arts: with distinction
Assistant to a story telling research project of the Volkswagen Foundation (directed by Prof. Eberhard Lämmert, PhD)
Student tutor at the Institute of Comparative Literature at the FU Berlin
Studied at the Free University Berlin: Comparative Literature, German and American Literature as well as History. Focus: Media theory, media history, aesthetics & communication; relationship between literature and (audio-) visual media (visual art, drama, radio, film, TV)
3 Media Practice: Author, Editor, Advisor
Juror of the German Computer Game Prize
Release of the German-language documentary film Wolfgang Petersen: Mein Leben, mein Werk (22 minutes, scriptwriter and director) on the BluRay-Edition of Das Boot – Steelbook (Anniversary Edition, 3 Disc, Eurovideo)
Release of the English-language documentary film Wolfgang Petersen: Back to the Boat (45 minutes, Writer / Director) on the BluRay edition of Das Boot. Director’s Cut (Sony America)
Representative of the Filmstiftung NRW for the development of new media funding projects and the pilot funding project for audiovisual media content.
Juror of the Bild-Kunst-Förderpreis of the KunstFilmBiennale 2009
Appointment by the Minister for Federal Affairs, Europe and Media of the State Northrhein-Westfalia Andreas Krautscheid to the film funding committee of the Film and Media Board North Rhine-Westphalia (until December 2010)
Appointment by State Minister Bernd Neumann to the jury for the awarding of the Innovation Prize of the German Film Funds (for three years)
Journalist and media advisor in Germany. Focus: computers and networking, digital media and communication. Contributions to anthologies as well as magazines, incl. Der Spiegel, NZZ Folio, Film-Dienst, Telepolis, Zeitschrift für Personalführung, Schweizer Monatshefte
Work on Kommunikette 2.0 (SC 2002)
Exhibition concept for the section “digital future of the cinema” in the Film Museum Berlin; contribution to the museum catalog
Novel Bogarts Bruder receives the German Mystery Award
Work on the novel Perlen für die Säue (HC 1999, PB 2001)
Work on the novel Bogarts Bruder (HC 1997, PB 1998)
Work on the Bukowski book Portrait of a Dirty Old Man Dying (Ger. HC 1996, Eng. SC 2000)
Freelance journalist in the US. Focus: digitalization – digitale media, digital art, digital communication, computer and networking. Contributions, among others, in the dailies Berliner Zeitung, Frankfurter Rundschau, Los Angeles Times, Neue Zürcher Zeitung, Süddeutsche Zeitung, Tagesspiegel, Die Welt; the weeklies Financial Times Deutschland, Der Spiegel, Weltwoche, Die Zeit; the monthlies Cinema, DU, Internet Professionell, NZZ Folio, Spiegel Special sowie Kursbuch, pl@net, Telepolis, c’t – magazin für computertechnik
Work on the book Cyberland. Eine Führung durch den Hightech-Underground. Research on the US West Coast, numerous interviews with researchers and theoreticians of the cultural process of digitalization. Magazine publications and book publication (SC 1996, PB 1998)
Work on the film book Spion unter Sternen. Lauschangriffe auf Hauptdarsteller (SC 1994)
Work on the film book Der Übernehmer. Volker Schlöndorff in Babelsberg (SC 1993)
Chief reporter Tempo (Hamburg)
Work on Endspieler, a collection of essays, reporting, and short stories from the dying “old” Federal Republic of Germany (SC 1993)
Advisor to the editor-in-chief of Elle (Munich).
Work on the novel Der Ausweg (HC 1989, pre-publication in stern)
Work on the film and cultural history project Reise in die Verlorengegangenheit. Auf den Spuren deutscher Emigranten (1933-1940). Publication as a series in stern (1988) and in book form (HC 1990, PB 1993)
Head of department & reporter stern (Hamburg)
Editor TransAtlantik (Munich)
Freelance journalist in Berlin. Reporting and essays, among others, for TransAtlantik, Tip; radio and film work.
4 Skills & Biographical Data
Communicative and intellectual strengths: transcultural and transdisciplinary knowledge transfer; especially between the US and Europe, between academia and popular media as well as older studies of the arts (literature and art studies, aesthetics) and the newer culture, communication, and media studies shaped by the digitalization
Language skills: Spoken and written fluency in German (native), author of fiction and non-fiction; spoken and written fluency in English (near native), author of non-fiction; Latin proficiency certificate; rudimentary knowledge of French
Pedagogical Practice: extensive teaching experience, incl. through university instruction, lecturing, and advising
Journalistic Practice: extensive editing and management experience; incl. through work as head of department and reporter at stern as well as chief reporter at Tempo; experience as freelance writer and journalist specializing in computers, networking, digital media, incl. seven years for c’t – Magazin für Computertechnik
Artistic Practice: multimedial storytelling and media designer; incl. as author of novels and screenplays as well as through work on numerous off- and online A/V media productions; aesthetic focus: amalgamation of European-American narrative traditions in text and A/V media
IT-Practice: professional knowledge of Mac OS (since 1984); familiarity with roughly two dozen relevant communication, narration, and multimedia applications through critical testing as a technology journalist as well as personal use in academic work and aesthetic production
1955: Born, German citizenship (Hanover)
1973: Graduation with “Abitur” from Leibnizschule (Hanover)
1980: Magister Artium, with distinction (FU Berlin)
1983: Marriage to Elke Mignon Maria Freyermuth, née Waldvogel (Berlin)
1989: Immigration into the US (New York, NY)
1994: Birth of son Leon S. Freyermuth (Los Angeles, CA)
1997: Birth of son George S. Freyermuth (Los Angeles, CA)
2001: Adoption of US citizenship (Phoenix, AZ)
2004: Doctorate, summa cum laude (FU Berlin)
2005: Relocation to Germany (Berlin / Cologne)